A Harman International Company
Page 8AUX OUTPUTSThe Aux outputs are on 3-pole A gauge jack sockets, wired as shown on the left,and incorporate impedance balancing, allowing long c
Page 9Fault Finding GuideRepairing a sound mixing console requires specialist skills, but basic Fault Finding iswithin the scope of any user if a few
Page 10GETTING TO KNOW YOUR CONSOLEINPUT CHANNELTwo inputs are available to the mono input channel, via XLR connector (normally formicrophone sources)
Page 11The centre two pairs of knobs are arranged as HI MID and LO MID frequency sec-tions, with a cut/boost control (lower knob) of +/- 15dB, and a S
Page 12When the PFL switch is released the LED on the channel serves as a PEAK indicator,to warn when an excessively high signal level is present in t
Page 1315 PFLWhen the PFL switch is pressed, a mono sum of the pre-fade signal is fed to theheadphones and L & R meters, where it replaces the nor
Page 142322192018172122 +48V & PSU MONITORThe +48V switch with its associated LED applies phantom powering to all of themicrophone XLR sockets on
USING YOUR SPIRIT LIVE 32CONSOLEThe final sound from your P.A. system can only ever be as good as the weakest link in thechain, and especially importa
Page 16l Listen carefully for the characteristic sound of `feedback. If you cannot achieve satis-factory input level setting without feedback, check
Page 17Application 1 - LIVE SOUND REINFORCEMENTThis drawing shows a typical configuration for sound reinforcement, with the main PA fed from Mix L/R a
Thank you for purchasing a SPIRIT LIVE 32mixer, brought to you with pride by the SPIRITteam of Graham, Simon, James, Chris, Colin, Andy, Peter, Martin
Page 18APPLICATION 2 - LIVE SOUND - MONO SYSTEM (E.G. CHURCH) This configuration is similar to application 1, but is a mono system. In this configura
Page 19APPLICATION 3 - LIVE SOUND WITH MONO FILLThis is a similar set-up to Application 1, but with the Mono output used to drive a separate amplifier
Page 20APPLICATION 4 - HOME RECORDING / BROADCASTIn this example the desk is used to provide a final mix for stereo recording (or FM radio broadcast
Page 21CARE OF YOUR MIXERGeneral Precautionsl Avoid storing or using the mixer in conditions of excessive heat or cold, or in positionswhere it is lik
Page 22highpass filter a filter that rejects low frequencies.impedance balancing a technique used on unbalanced outputs to minimise the effect ofhum
Page 23TYPICAL SPECIFICATIONSNOISEMeasured RMS, 22Hz to 22kHz Bandwidth Line inputs selected at unity gain and terminated 150RMIX 16 ch. routed to Mix
Page 24dim. ’x’dim. ’y’Console8 channel12 channel16 channel24 channel456 mm(18.0")572 mm(22.6")688 mm(27.1")920 mm(36.3")381 mm(15
SPIRIT LIVE 32EXPANDERInstallation INSTRUCTIONSPage 25Equipment required:o Screwdriver: No. 1 Pozidrivo Spanner: 5/16 AF Open (8mm.)o Spanner: M4o Nut
Page 266. Using the M3 screw, washer and nut provided, secure one end of theearth lead supplied to the screw hole on the left hand side of theExpander
Page 27PREQAUX2 PSTAUX1AUX1AUX3PREAUX2 PREAUX2 PREAUX3PSTMONOMIXAUX4PREPANFADERPFLPKMONOONMIX312312312AUX1AUX2 PREAUX2 POSTAUX3 PREAUX3 POSTAUX4MIX LE
Page 1INTRODUCTIONThanks for purchasing a SPIRIT LIVE 32mixer. Owning a Soundcraft console bringsyou the expertise and support of one of the industry
USERMAN.QXD 13/06/97 13:09 Page 28
JUMPER SETTINGSThe settings for internal jumpers, as fitted in the factory, are as follows:MONO INPUT (SC3611)PEQ Not FittedPRE FittedOUTPUT/FX/STEREO
A Harman International Company
Page 2BASIC PRINCIPLES OF PA MIXINGThere was a time when the P.A. system and the operator existed only to increase theoverall volume of the performers
Page 3The terms PRE and POST are often used in the context of Inserts, Equalisers andAuxiliary Sends, and describe whether that facility is placed bef
Installation and Safety PrecautionsInstalling the MixerCorrect connection and positioning of your mixer is important for successful and trouble-free o
Page 5CONNECTING IT UPThe diagram below shows various equipment that would be connected to a SPIRIT Live 32USERMAN.QXD 13/06/97 12:27 Page 5
WIRING IT UPMIC INPUTThe mic input accepts XLR-type connectors and is designed to suit a wide range ofBALANCED or UNBALANCED low-level signals, whethe
Page 7STEREO INPUTs, STEREO RETURNSAccept 3-pole `A gauge jacks, or 2-pole mono jacks which will automatically groundthe cold input. Use these inp
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