Soundcraft UREI 1601S Manuale Utente

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10INITIAL WIRING CONSIDERATIONSFor optimum performance, it is essential for the earthing system to be clean and noise free, as all signals are referen

11POINTS TO REMEMBERIn all cases, use good quality twin screened audio cable. Check for instability at the output.Always connect both conductors at bo

12INSPECTION AND INSTALLATIONUNPACKING AND INSPECTIONYour 1601S or 1601 was carefully packed at the factory, and the container was designed to protect

13CONNECTING TO A TYPICAL SOUND SYSTEMThe diagram below shows how to connect the different parts of a typical sound system. The 1601S rear panel is sh

14MAKING ADJUSTMENTS AND FITTING SPARESCAUTION: THE FOLLOWING SECTION IS FOR USE BY QUALIFIEDSERVICE PERSONNEL ONLY. TO REDUCE THE RISK OF ELECTRICSHO

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16DESCRIPTIONDESCRIPTIONDESCRIPTIONDESCRIPTIONDESCRIPTIONTOP PANEL(1601S Shown)

171. MIC/LINE INPUT (see page 20): This section features [LEVEL], [EQ-HI] and [EQ-LOW] controls for the microphone/line levelinput stage. The combi-XL

18REAR CONNECTOR PANEL1. FX LOOP [AUX] -RCA Phono ConnectorsUse these sockets to connect any external effects processor. Alternatively, you can use th

19FRONT PANEL1. CH1: 3 Position curve control and ReverseThese controls allow you to change the curve of the input fader and reverse the fader action.

2IMPORTANTPlease read this manual carefully before usingyour mixer for the first time.© Harman International Industries Ltd. 2005All rights reservedPa

20OPERAOPERAOPERAOPERAOPERATIONTIONTIONTIONTIONGETTING STARTEDBefore use, please observe the following guidelines:CONNECTIONS: Before making any conne

21LEVEL CONTROLThis control sets the input level for the microphone or line-level device. At the fully anti-clockwise position there will be no sound.

22CHANNELS 1 & 2This section of the mixer features all the main controls for input channels 1 & 2, most of which come under the control of the

23When using high output playback devices it may be necessary to select the -10dB pad or the -20dB pad (or both) to stop the inputchannel from overloa

24FX SEND & RETURN / AUXThis section features controls for the effects send/return loop, which can also be used as an auxiliary input/record outpu

25RETURN / AUX -LEVELThis control sets the amount of signal coming back from the connected effects unit. At the fully anti-clockwise position there wi

26MASTER / BOOTH OUTPUTThis section of the mixer features controls and indications for the master and booth outputs.MASTER LEVELThis control adjusts t

27THE EXCITERAt the fully anti-clockwise position of the [MIX] control 0%, no EXCITER will be applied to the main mix. As the control is rotatedclockw

28HEADPHONE MONITORThis section of the mixer features all the headphone monitoring controls which, again, come under the control of the DSP. This allo

29X-F MONITORWhen the [MASTER/CUE SELECT] is set to CUE the [X-F MONITOR] control adjusts the relative mix balance between CH1 andCH2. When fully over

3ContentsContentsContentsContentsContentsIMPORTANT SAFETY INSTRUCTIONS 4SAFETY SYMBOL GUIDE 6INSTALLATION 9GENERAL PRECAUTIONS 9MAINS INSTALLATION 9IN

30THE SAMPLER (1601S ONLY)THE CONTROLS1 RE-WRITEThis button is used to over-record any pre-recorded samples.LOOP-RE-WRITE: If recording over a loop th

315 BPM LOCKThe LED flashes when searching for the BPM. When the BPM is LOCKED the LED will stay on. If the BPM loses sync the LED willflash again as

32RECORDING LOOPSThis is where you create the loop samples. There is no input level setting as the onboard AGC (Auto Gain Control) takes care of allle

33During the sampling process the selected A or B [REC/MUTE] button LED will flash and count the number of beats. The LED on thebank NOT recording wil

34To re-sample or record a loop, simply press the desired [REC/MUTE] button (A or B) once (whether it is pre-recorded or empty).If you wish then to RE

35BLBLBLBLBLOCK DIAOCK DIAOCK DIAOCK DIAOCK DIAGRAMGRAMGRAMGRAMGRAMPlease note: to assist the user in understanding the routing of the signals within

36CONNECTING LEADSCONNECTING LEADSCONNECTING LEADSCONNECTING LEADSCONNECTING LEADS

37TRTRTRTRTROUBLESHOOOUBLESHOOOUBLESHOOOUBLESHOOOUBLESHOOTINGTINGTINGTINGTINGProblem: No Power. No soundCheck power supply connection.Check position o

38SPECIFICASPECIFICASPECIFICASPECIFICASPECIFICATIONSTIONSTIONSTIONSTIONSDIGITAL AUDIO:Sample rate: 96kHz Conversion rate: 24 bitFREQUENCY RESPONSE:CD/

39WARRANTYWARRANTYWARRANTYWARRANTYWARRANTY1 Soundcraft is a trading division of Harman International Industries Ltd.End User means the person who firs

4IMPORTANT SAFETY INSTRUCTIONSRead these instructions.Keep these instructions.Heed all warnings.Follow all instructions.Do not use this apparatus near

40GLGLGLGLGLOSSAROSSAROSSAROSSAROSSARYYYYYAmplitude: Another term used for signal level.Attenuate: Reduce the signal level.Auxiliary (Aux): An indepen

41Earth Loop (Ground Loop): The result when the equipment sees more than one path to the system earth. Current flows becausea resistive loop susceptib

42Pre-fade: The signal is taken from a point in the circuit which is before the fader.Post-fade: The signal is taken from a point in the circuit which

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5NOTE: This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant toPart 15 of the FCC Rules. These lim

6For your own safety and to avoid invalidation of thewarranty please read this section carefully.SAFETY SYMBOL GUIDEFor your own safety and to avoid i

7INTRINTRINTRINTRINTRODUCTIONODUCTIONODUCTIONODUCTIONODUCTIONThank you for purchasing a UREI 16XX series digital DJ mixing desk.Digital technology is

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9GENERAL PRECAUTIONSAvoid storing or using the mixing console in conditions of excessive heat or cold, or in positions where it is likely to be subjec